Poem for the day from Larry Robinson

Marsh Languages

The dark soft languages are being silenced:
Mothertongue Mothertongue Mothertongue
falling one by one back into the moon.

Language of marshes,
languages of the roots of rushes tangled
together in the ooze,
marrow cells twinning themselves
inside the warm core of the bone:
pathways of hidden light in the body fade and wink out.

The sibilants and gutturals,
the cave language, the half-light
forming at the back of the throat,
the mouth's damp velvet moulding
the lost syllable for "I" that did not mean separate,
all are becoming sounds no longer
heard because no longer spoken,
and everthing that could once be said in them has
ceased to exist.

The languages of the dying suns
are themselves dying,
but even the word for this has been forgotten.
The mouth against skin, vivid and fading,
can no longer speak both cherishing and farewell.
It is now only a mouth, only skin.
There is no more longing.

Translation was never possible.
Instead there was always only
conquest, the influx
of the language of hard nouns,
the language of metal,
the language of either/or,
the one language that has eaten all the others.

- Margaret Atwood

WHILE ATTENDING THE ANNUALCONVOCATION
OF CAUSE THEORIST AND BIGBANGISTS AT THE
LOCAL PROVINCIAL RESEARCH UNIVERSITY, THE
MAD FARMER INTERCEDES FROM THE BACK ROW

“Chance” is a poor word among
the mazes and causes and effects, the last
stand of these all-explainers who,
backed up to the first and final Why,
reply, “By chance, of course!” As if
that tied up ignorance with a ribbon.
In the beginning something by chance
existed that would bang and by chance
it banged, obedient to the by-chance
previously existing laws of existence
and banging, from which the rest proceeds
by logic of cause and effect also
previously existing by chance? Well,
when all that happened who was there?
Did the chance that made the bang then make
the Bomb, and there was no choice, no help?
Prove to me that chance did ever
make a sycamore tree, a yellow-
throated warbler nesting and singing
high up among the white limbs
and the golden leaf-light, and a man
to love the tree, the bird, the song
his life long, and by his love to save
them, so far, from all the machines.
By chance? Prove it, and I
by chance will kiss your ass.

- Wendell Berry

Almond Blossom

Even iron can put forth,
Even iron.

This is the iron age,
But let us take heart
Seeing iron break and bud,
Seeing rusty iron puff with clouds of blossom.

The almond-tree,
December's bare iron hooks sticking out of earth.

The almond-tree,
That knows the deadliest poison, like a snake
In supreme bitterness.

Upon the iron, and upon the steel,
Odd flakes as if of snow, odd bits of snow,
Odd crumbs of melting snow.

But you mistake, it is not from the sky;
From out the iron, and from out the steel,
Flying not down from heaven, but storming up,
Strange storming up from the dense under-earth
Along the iron, to the living steel
In rose-hot tips, and flakes of rose-pale snow
Setting supreme annunciation to the world.

Nay, what a heart of delicate super-faith,
Iron-breaking,
The rusty swords of almond-trees.

Trees suffer, like races, clown the long ages.
They wander and are exiled, they live in exile through long ages
Like drawn blades never sheathed, hacked and gone black,
The alien trees in alien lands: and yet
The heart of blossom,
The unquenchable heart of blossom!

Look at the many-cicatrised frail vine, none more scarred and frail,
Yet see him fling himself abroad in fresh abandon
From the small wound-stump.

Even the wilful, obstinate, gummy fig-tree
Can be kept down, but he'll burst like a polyp into prolixity.

And the almond-tree, in exile, in the iron age!

This is the ancient southern earth whence the vases were baked, amphoras, craters, cantharus, oenochoe, and open-hearted cylix,
Bristling now with the iron of almond-trees

Iron, but unforgotten,
Iron, dawn-hearted,
Ever-beating dawn-heart, enveloped in iron against the exile, against the ages.

See it come forth in blossom
From the snow-remembering heart
In long-nighted January,
In the long dark nights of the evening star, and Sirius, and the Etna snow-wind through the long night.

Sweating his drops of blood through the long-nighted Gethsemane
Into blossom, into pride, into honey-triumph, into most exquisite splendour.
Oh, give me the tree of life in blossom
And the Cross sprouting its superb and fearless flowers!

Something must be reassuring to the almond, in the evening star, and the snow-wind, and the long, long, nights,
Some memory of far, sun-gentler lands,
So that the faith in his heart smiles again
And his blood ripples with that untenable delight of once-more-vindicated faith,
And the Gethsemane blood at the iron pores unfolds, unfolds,
Pearls itself into tenderness of bud
And in a great and sacred forthcoming steps forth, steps out in one stride
A naked tree of blossom, like a bridegroom bathing in dew, divested of cover,
Frail-naked, utterly uncovered
To the green night-baying of the dog-star, Etna's snow-edged wind
And January's loud-seeming sun.

Think of it, from the iron fastness
Suddenly to dare to come out naked, in perfection of blossom, beyond the sword-rust.
Think, to stand there in full-unfolded nudity, smiling,
With all the snow-wind, and the sun-glare, and the dog-star baying epithalamion.

Oh, honey-bodied beautiful one,
Come forth from iron,
Red your heart is.
Fragile-tender, fragile-tender life-body,
More fearless than iron all the time,
And so much prouder, so disdainful of reluctances.

In the distance like hoar-frost, like silvery ghosts communing on a green hill,
Hoar-frost-like and mysterious.

In the garden raying out
With a body like spray, dawn-tender, and looking about
With such insuperable, subtly-smiling assurance,
Sword-blade-born.

Unpromised,
No bounds being set.
Flaked out and come unpromised,
The tree being life-divine,
Fearing nothing, life-blissful at the core
Within iron and earth.

Knots of pink, fish-silvery
In heaven, in blue, blue heaven,
Soundless, bliss-full, wide-rayed, honey-bodied,
Red at the core,
Red at the core,
Knotted in heaven upon the fine light.

Open,
Open,
Five times wide open,
Six times wide open,
And given, and perfect;
And red at the core with the last sore-heartedness,
Sore-hearted-looking.

- D.H. Lawrence

One
*
The mosquito is so small
it takes almost nothing to ruin it.
Each leaf, the same.
And the black ant, hurrying.
So many lives, so many fortunes!
Every morning, I walk softly and with forward glances
down to the ponds and through the pinewoods.
Mushrooms, even, have but a brief hour
before the slug creeps to the feast,
before the pine needles hustle down
under the bundles of harsh, beneficent rain.
*
How many, how many, how many
make up a world!
And then I think of that old idea: the singular
and the eternal.
One cup, in which everything is swirled
back to the color of the sea and sky.
Imagine it!
*
A shining cup, surely!
In the moment in which there is no wind
over your shoulder,
you stare down into it,
and there you are,
your own darling face, your own eyes.
And then the wind, not thinking of you, just passes by,
touching the ant, the mosquito, the leaf,
and you know what else!
How blue is the sea, how blue is the sky,
how blue and tiny and redeemable everything is, even you,
even your eyes, even your imagination.
*
- Mary Oliver

Preludes

I
The winter evening settles down
With smell of steaks in passageways.
Six o’clock.
The burnt-out ends of smoky days.
And now a gusty shower wraps
The grimy scraps
Of withered leaves about your feet
And newspapers from vacant lots;
The showers beat
On broken blinds and chimney-pots,
And at the corner of the street
A lonely cab-horse steams and stamps.

And then the lighting of the lamps.

II
The morning comes to consciousness
Of faint stale smells of beer
From the sawdust-trampled street
With all its muddy feet that press
To early coffee-stands.
With the other masquerades
That time resumes,
One thinks of all the hands
That are raising dingy shades
In a thousand furnished rooms.

III
You tossed a blanket from the bed,
You lay upon your back, and waited;
You dozed, and watched the night revealing
The thousand sordid images
Of which your soul was constituted;
They flickered against the ceiling.
And when all the world came back
And the light crept up between the shutters
And you heard the sparrows in the gutters,
You had such a vision of the street
As the street hardly understands;
Sitting along the bed’s edge, where
You curled the papers from your hair,
Or clasped the yellow soles of feet
In the palms of both soiled hands.

IV
His soul stretched tight across the skies
That fade behind a city block,
Or trampled by insistent feet
At four and five and six o’clock;
And short square fingers stuffing pipes,
And evening newspapers, and eyes
Assured of certain certainties,
The conscience of a blackened street
Impatient to assume the world.

I am moved by fancies that are curled
Around these images, and cling:
The notion of some infinitely gentle
Infinitely suffering thing.

Wipe your hand across your mouth, and laugh;
The worlds revolve like ancient women
Gathering fuel in vacant lots.

- T.S.Eliot

Ask Much, The Voice Suggested

Ask much, the voice suggested, and I startled.
Feeling my body like the trembling body of a horse
tied to its tree while the strange noise
passes over its ears.
I who in extremity had always wanted less,
even of eating, of sleeping.
Agile, the voice did not speak again, but waited.
"Want more" --
a cure for longing I had not thought of.
But that is how it is with wells.
Whatever is taken refills to the steady level.
The voice agreed, though softly, to quiet the feet of the horse:
a cup taken out, a cup reappears; a bucketful taken, a bucket.

- Jane Hirshfield

The Holy Longing

Tell a wise person, or else keep silent,
because the massman will mock it right away.
I praise what is truly alive,
what longs to be burned to death.

In the calm water of the love-nights,
where you were begotten, where you have begotten,
a strange feeling comes over you
when you see the silent candle burning.

Now you are no longer caught
in the obsession with darkness,
and a desire for higher love-making
sweeps you upward.

Distance does not make you falter,
now, arriving in magic, flying,
and, finally, insane for the light,
you are the butterfly and you are gone.

And so long as you haven’t experienced
this: to die and so to grow,
you are only a troubled guest
on the dark earth.

- Johann Wolfgang von Goethe
(translated by Robert Bly)

As we head over this precipice together,
please remember your original face.
I know they say
to talk about it with words
is to move farther from it,

But how far away could you ever be
from that gentleness you were
before your birth, or from that warm dark Mother
Who fashioned you of mud and blood,
Who kissed and pinched your apple cheeks,
and sent you wide awake
into this world of ten thousand things?

Today your original face
is a soft cricket on the hardwood floor,
rain coming from the west,
the green fuse force of leaves and sun,
and yes, that fear of falling, falling.

In other words, nothing.
More or less than
all of it, exactly as it is,
alive and with you all the way
down.

- Barton Stone

Last Breath

… just walking
in the wet light of morning,
all your joys and heartaches
shattered by a wind-felled oak

-- your upturned umbrella
filling with rain

- Andrew Zarrillo

Ten Years Later

When the mind is clear
and the surface of the now still,
now swaying water
slaps against
the rolling kayak,
I find myself near darkness,
paddling again to Yellow Island.
Every spring wildflowers
cover the grey rocks.
Every year the sea breeze
ruffles the cold and lovely pearls
hidden in the center of the flowers
as if remembering them
by touch alone.
A calm and lonely, trembling beauty
that frightened me in youth.
Now their loneliness
feels familiar, one small thing
I've learned these years,
how to be alone,
and at the edge of aloneness
how to be found by the world.

- David Whyte

For the Unknown Self

So much of what delights and troubles you
Happens on a surface
You take for ground.
Your mind thinks your life alone,
Your eyes consider air your nearest neighbor,
Yet it seems that a little below your heart
There houses in you an unknown self
Who prefers the patterns of the dark
And is not persuaded by the eye's affection
Or caught by the flash of thought.

It is a self that enjoys contemplative patience
With all your unfolding expression,
Is never drawn to break into light
Though you entangle yourself in unworthiness
And misjudge what you do and who you are.

It presides within like an evening freedom
That will often see you enchanted by twilight
Without ever recognizing the falling night,
It resembles the under-earth of your visible life:
All you do and say and think is fostered
Deep in its opaque and prevenient clay.

It dwells in a strange, yet rhythmic ease
That is not ruffled by disappointment;
It presides in a deeper current of time
Free from the force of cause and sequence
That otherwise shapes your life.

Were it to break forth into day,
Its dark light might quench your mind,
For it knows how your primeval heart
Sisters every cell of your life
To all your known mind would avoid,

Thus it knows to dwell in you gently,
Offering you only discrete glimpses
Of how you construct your life.

At times, it will lead you strangely,
Magnetized by some resonance
That ambushes your vigilance.

It works most resolutely at night
As the poet who draws your dreams,
Creating for you many secret doors,
Decorated with pictures of your hunger;

It has the dignity of the angelic
That knows you to your roots,
Always awaiting your deeper befriending
To take you beyond the threshold of want,
Where all your diverse strainings
Can come to wholesome ease.

- John O'Donohue

A Dialogue Of Self And Soul

{My Soul} I summon to the winding ancient stair;
Set all your mind upon the steep ascent,
Upon the broken, crumbling battlement,
Upon the breathless starlit air,
"Upon the star that marks the hidden pole;
Fix every wandering thought upon
That quarter where all thought is done:
Who can distinguish darkness from the soul

{My Self}. The consecretes blade upon my knees
Is Sato's ancient blade, still as it was,
Still razor-keen, still like a looking-glass
Unspotted by the centuries;
That flowering, silken, old embroidery, torn
>From some court-lady's dress and round
The wodden scabbard bound and wound
Can, tattered, still protect, faded adorn

{My Soul.} Why should the imagination of a man
Long past his prime remember things that are
Emblematical of love and war?
Think of ancestral night that can,
If but imagination scorn the earth
And interllect is wandering
To this and that and t'other thing,
Deliver from the crime of death and birth.

{My self.} Montashigi, third of his family, fashioned it
Five hundred years ago, about it lie
Flowers from I know not what embroidery --
Heart's purple -- and all these I set
For emblems of the day against the tower
Emblematical of the night,
And claim as by a soldier's right
A charter to commit the crime once more.

{My Soul.} Such fullness in that quarter overflows
And falls into the basin of the mind
That man is stricken deaf and dumb and blind,
For intellect no longer knows
Is from the Ought, or knower from the Known --
That is to say, ascends to Heaven;
Only the dead can be forgiven;
But when I think of that my tongue's a stone.

{My Self.} A living man is blind and drinks his drop.
What matter if the ditches are impure?
What matter if I live it all once more?
Endure that toil of growing up;
The ignominy of boyhood; the distress
Of boyhood changing into man;
The unfinished man and his pain
Brought face to face with his own clumsiness;
The finished man among his enemies? --
How in the name of Heaven can he escape
That defiling and disfigured shape
The mirror of malicious eyes
Casts upon his eyes until at last
He thinks that shape must be his shape?
And what's the good of an escape
If honour find him in the wintry blast?
I am content to live it all again
And yet again, if it be life to pitch
Into the frog-spawn of a blind man's ditch,
A blind man battering blind men;
Or into that most fecund ditch of all,
The folly that man does
Or must suffer, if he woos
A proud woman not kindred of his soul.
I am content to follow to its source
Every event in action or in thought;
Measure the lot; forgive myself the lot!
When such as I cast out remorse
So great a sweetness flows into the breast
We must laugh and we must sing,
We are blest by everything,
Everything we look upon is blest.

- William Butler Yeats

The Rain


All night the sound had
come back again,
and again falls
this quiet, persistent rain.

What am I to myself
that must be remembered,
insisted upon
so often? Is it

that never the ease,
even the hardness,
of rain falling
will have for me

something other than this,
something not so insistent—
am I to be locked in this
final uneasiness.

Love, if you love me,
lie next to me.
Be for me, like rain,
the getting out

of the tiredness, the fatuousness, the semi-
lust of intentional indifference.
Be wet
with a decent happiness.

-*Robert Creeley

Prescription for the Disillusioned

Come new to this
day. Remove the rigid
overcoat of experience,
the notion of knowing,
the beliefs that cloud
your vision.

Leave behind the stories
of your life. Spit out the
sour taste of unmet expectation.
Let the stale scent of what-ifs
waft back into the swamp
of your useless fears.

Arrive curious, without the armor
of certainty, the plans and planned
results of the life you’ve imagined.
Live the life that chooses you, new
every breath, every blink of
your astonished eyes.

- Rebecca del Rio

How He Left

(for John O’Donohue, Who Departed Early)

He already knew all he needed to know.
He had plumbed the depths,
met the strange forms below,
captured their wisdom.

When dawn broke,
the birds caroled
their knowings
into his ear.
He listened,
and understood,
meaning behind the sounds.

The winds carried him
to unmarked places,
revelation swept
over him
until he was filled
like a holy vessel
with radiance
from the ancient source.

These gifts found meaning
in what he gave to others:
the world was his parish,
humanity his flock.
His words fed many.

When his time came,
he acquiesced gracefully
and departed like a bright lantern
carried upward on the currents
into the final light
above.

- Dorothy Walters

The War-Widows Are Heard, Nepal 2006

The country where your husband is accused by a debt-ridden neighbor,
seized in the sun-dried cornfield, is the country no one can escape,
the country we all live in, encased in smooth walls, clean laundry,
paper cut-out newsmen and bold-faced fashion fronts.

Your homespun shawl and burning eyes hold the still point
for a room of squirming children, a youth old before his time,
a woman who will never weep again. You travel far to tell
your story in a place where nobody knows who you are.

You stand watch behind the woven walls of a house
while men throw other men into a river like sacks of evidence,
while men who have nothing to lose push faces underwater
until they thin out, pale as words coming through two languages

transparent as tadpoles, though words swim better than men,
better than we do through two languages, better than your husband,
who wishes to be a fish, who wishes to slip away
but gets caught, buckles, floats to a place of blind eyes.

The men in khaki shorts haul their catch onto tractors,
water dripping off the bruised and splayed limbs.
The relevant authorities cannot offer words at all
in any language, but you speak, you go on speaking.

- Ann Hunkins

Garden of Love

I went to my garden of love
And saw what I never had seen,
A chapel was built in the midst
Where I used to play on the green.

And the gates of the chapel were shut,
And “Thou Shalt Not” writ over the door,
So I turned from my garden of love,
Which had so many sweet flowers bore,

And saw it was filled with weeds
And thorns where roses should be,
And priests in black gowns
Were walking their rounds,

And binding with briars
My joys and desires.

- William Blake

Jailbreak


It’s time to break out -
Jailbreak time.
Time to punch our way out of
the dark winter prison.
Lilacs are doing it
in sudden explosions of soft purple,
And the jasmine vines, and ranunculus, too.
There is no jailer powerful enough
to hold Spring contained.
Let that be a lesson.
Stop holding back the blossoming!
Quit shutting eyes and gritting teeth,
curling fingers into fists, hunching shoulders.
Lose your determination to remain unchanged.
All the forces of nature
want you to open,
Their gentle nudge carries behind it
the force of a flash flood.
Why make a cell your home
when the door is unlocked
and the garden is waiting for you?

- Maya Spector

Ode To Walking And Singing

Someday I'll set off
walking and singing a Holy Name
and never come back
because there's nothing like it,
small body under a great sky,
walking stick and hat
and the path-ribbon stretching out
as far as you want to go,
there's no good reason,
really, to stop

especially when you sing,
because the human voice
is a bird in a cage
and song allows it to soar,
and when at the top of its arc the bird
finds the sky is only another cage
a plaintive wail enters its voice,
the longing to go still farther,
knocking itself
against the door Beyond.

Amazing what the human voice can do,
this bellows of air transmuting longing
into a golden bird of song!

You have to walk and sing
to know what I'm saying.
Melody is a choice every second,
and if not a choice, a wild heart-stab;
timbre and rhythm, all improv, too,
every step's unique
signature in the air.

Sometimes for awhile the eye takes over,
soothed by green, gathering in spring's sprigs,
passing them deep to keep
against future drought;
or looking at water or distant hills,
or watching the slow meditation of the clouds
as they follow deliberately, gracefully
their invisible shepherd.

Cares begin to fly off,
first the ones that always come
at work or in traffic or even at home,
those small, silent freeloaders,
then, after awhile, the bigger cares,
more deeply buried,
cranes or geese leaving on migration,

and one is again the pilgrim
he was at twenty,
pack tied on a stick over the shoulder,
steadying staff in the other hand

and even the next step
a letter as yet unwritten
by the Moving Hand

- Max Reif

The Moon

The moon can be taken in teaspoons
or as a capsule every two hours.
It is a good hypnotic or narcotic
and can also relieve
hangovers of those drunk on philosophy.
A piece of the moon tucked in the pocket
is a better good luck charm than a rabbit’s foot;
It works as a love charm,
to get rich without connections
and to ward off doctors.
It can be given as a treat to children
when they can’t sleep.
A few moon drops in the eyes of the elderly
help them die well.

Put a fresh moon leaf
under your pillow
and you will see your heart’s desire.
Always carry a small jar of moon air
for when you are drowning,
And give a key to the moon
to prisoners and the disillusioned,
to those condemned to death
and those condemned to life.
There is no better tonic than the moon
given in precise, controlled doses.

- Jaime Sabines (1926-99), unauthorized translation by Rebeca del Rio

The Moon

La luna se puede tomar a cucharadas
o como una cápsula cada dos horas.
Es buena como hipnótico y sedante
y también alivia
a los que se han intoxicado de filosofía.
Un pedazo de luna en el bolsillo
es mejor amuleto que la pata de conejo:
sirve para encontrar a quien se ama,
para ser rico sin que lo sepa nadie
y para alejar a los médicos y las clínicas.
Se puede dar de postre a los niños
cuando no se han dormido,
y unas gotas de luna en los ojos de los ancianos
ayudan a bien morir.

Pon una hoja tierna de la luna
debajo de tu almohada
y mirarás lo que quieras ver.
Lleva siempre un frasquito del aire de la luna
para cuando te ahogues,
y dale la llave de la luna
a los presos y a los desencantados.
Para los condenados a muerte
y para los condenados a vida
no hay mejor estimulante que la luna
en dosis precisas y controladas.

- Jaime Sabines

I have walked along many roads,
and opened paths through brush,
I have sailed over a hundred seas
and tied up on a hundred shores.

Everywhere I’ve gone I’ve seen
excursions of sadness,
angry and melancholy
drunkards with black shadows,

and academics in offstage clothes
who watch, say nothing, and think
they know, because they do not drink wine
in the ordinary bars.

Evil men who walk around
polluting the earth. . .

And everywhere I’ve been I’ve seen
men who dance and play,
when they can, and work
the few inches of ground they have.

If they turn up somewhere,
they never ask where they are.
When they take trips, they ride
on the backs of old mules.

They don’t know how to hurry,
not even on holidays.
They drink wine, if there is some,
if not, cool water.

These men are the good ones,
who love, work, walk and dream.
And on a day no different from the rest
they lie down beneath the earth.

- Antonio Machado
(translated by Robert Bly)

For What Binds Us

There are names for what binds us:
strong forces, weak forces.
Look around, you can see them:
the skin that forms in a half-empty cup,
nails rusting into the places they join,
joints dovetailed on their own weight.
The way things stay so solidly
wherever they've been set down --
and gravity, scientists say, is weak.

And see how the flesh grows back
across a wound, with a great vehemence,
more strong
than the simple, untested surface before.
There's a name for it on horses,
when it comes back darker and raised: proud flesh,

as all flesh
is proud of its wounds, wears them
as honors given out after battle,
small triumphs pinned to the chest --

And when two people have loved each other
see how it is like a
scar between their bodies,
stronger, darker, and proud;
how the black cord makes of them a single fabric
that nothing can tear or mend.

- Jane Hirschfield

Altered

A hand moves across the room, deliberately, in slow motion, making a half moon as if to spread its essence onto the pilgrims gathered there, as if to feed these mortal souls with one divine gesture. Alerted by this single motion, these seekers spread their thoughts and prayers across the skies, rain clouds that seep into gaps where longing waits to be filled yet is never sated. It is the prayers that feed. Some digest, some do not. The whole world, an altar, moved by a single soul willing to extend itself, stretching like the scirocco to cover more ground, stretching, to touch more pilgrims of the heart, souls ready to absorb every vibration. Bodies born and growing, grown then gone, so ethereal, so desirous of, so resistant to states of divinity — a feather floating, a moving cloud, a subtle breeze.

- Clara Rosemarda

Sunrise

You can
die for it--
an idea,
or the world. People

have done so,
brilliantly,
letting
their small bodies be bound

to the stake,
creating
an unforgettable
fury of light. But

this morning,
climbing the familiar hills
in the familiar
fabric of dawn, I thought

of China,
and India
and Europe, and I thought
how the sun

blazes
for everyone just
so joyfully
as it rises

under the lashes
of my own eyes, and I thought
I am so many!
What is my name?

What is the name
of the deep breath I would take
over and over
for all of us? Call it

whatever you want, it is
happiness, it is another one
of the ways to enter
fire.

- Mary Oliver

Married Love

You and I
Have so much love,
That it
Burns like a fire,
In which we bake a lump of clay
Molded into a figure of you
And a figure of me.
Then we take both of them,
And break them into pieces,
And mix the pieces with water,
And mold again a figure of you,
And a figure of me.
I am in your clay.
You are in my clay.
In life we share a single quilt.
In death we will share one coffin.

- KUAN TAO-SHÊNG (1262-1319)

Four Poems for Robin

Siwashing it out once in Siuslaw Forest

I slept under rhododendron
All night blossoms fell
Shivering on a sheet of cardboard
Feet stuck in my pack
Hands deep in my pockets
Barely able to sleep.
I remembered when we were in school
Sleeping together in a big warm bed
We were the youngest lovers
When we broke up we were still nineteen.
Now our friends are married
You teach school back east
I dont mind living this way
Green hills the long blue beach
But sometimes sleeping in the open
I think back when I had you.


A spring night in Shokoku-ji

Eight years ago this May
We walked under cherry blossoms
At night in an orchard in Oregon.
All that I wanted then
Is forgotten now, but you.
Here in the night
In a garden of the old capital
I feel the trembling ghost of Yugao
I remember your cool body
Naked under a summer cotton dress.


An autumn morning in Shokoku-ji

Last night watching the Pleiades,
Breath smoking in the moonlight,
Bitter memory like vomit
Choked my throat.
I unrolled a sleeping bag
On mats on the porch
Under thick autumn stars.
In dream you appeared
(Three times in nine years)
Wild, cold, and accusing.
I woke shamed and angry:
The pointless wars of the heart.
Almost dawn. Venus and Jupiter.
The first time I have
Ever seen them close.


December at Yase
You said, that October,
In the tall dry grass by the orchard
When you chose to be free,
“Again someday, maybe ten years.”

After college I saw you
One time. You were strange.
And I was obsessed with a plan.

Now ten years and more have
Gone by: I’ve always known
where you were—
I might have gone to you
Hoping to win your love back.
You still are single.

I didn’t.
I thought I must make it alone. I
Have done that.

Only in dream, like this dawn,
Does the grave, awed intensity
Of our young love
Return to my mind, to my flesh.

We had what the others
All crave and seek for;
We left it behind at nineteen.

I feel ancient, as though I had
Lived many lives.

And may never now know
If I am a fool
Or have done what my
karma demands.

- Gary Snyder

Sunday Breakfast at Willow Wood

“I suppose you’ll have the usual, right?”
“Right. The French Folded Eggs and a triple shot latté”

But when it came, all I saw was the golden mustard that had popped out overnight in the meadow, in the apple orchard, in the vineyard between the rows of dormant vines—mustard, everywhere, the color of French Folded Eggs which lie on my plate in their mustard perfection surrounded by the bare branches of hundred-year-old apple trees. And the way the sun pushed away the clouds and let the rain remain on the branches hit the yellow mustard in a brazen reflection of itself, and it was as if the sun had settled into the earth and come up beaming.

I looked down into my plate of French mustard eggs folded into a perfect breakfast. The latté was dark and hot.

- Fran Claggett

History of Desire

When you're seventeen, and drunk
on the husky, late-night flavor
of your first girlfriend's voice
along the wires of the telephone

what else to do but steal
your father's El Dorado from the drive,
and cruise out to the park on Driscoll Hill?
Then climb the county water tower

and aerosol her name in spraycan orange
a hundred feet above the town?
Because only the letters of that word,
DORIS, next door to yours,

in yard-high, iridescent script,
are amplified enough to tell the world
who's playing lead guitar
in the rock band of your blood.

You don't consider for a moment
the shock in store for you in 10 A.D.,
a decade after Doris, when,
out for a drive on your visit home,

you take the Smallville Road, look up
and see RON LOVES DORIS
still scorched upon the reservoir.
This is how history catches up—

by holding still until you
bump into yourself.
What makes you blush, and shove
the pedal of the Mustang

almost through the floor
as if you wanted to spray gravel
across the features of the past,
or accelerate into oblivion?

Are you so out of love that you
can't move fast enough away?
But if desire is acceleration,
experience is circular as any

Indianapolis. We keep coming back
to what we are—each time older,
more freaked out, or less afraid.
And you are older now.

You should stop today.
In the name of Doris, stop.

- Tony Hoagland

The Comfort of Questions
for Larry

We built a house
together, one without a roof.
All night it opened
to dark, abundant emptiness—
the questions without answers.

Gradually those questions
became stars. Red dwarfs and blue giants
consoled me, allowed the darkness
inside to be, to sprout like a safe seed,
slowly with grace.

In that house, all those days,
those years of your patient presence,
I learned to live
under freedom’s open sky,
with the walls of kindness
surrounding me.

In the beginning, what I knew could
fill volumes and teach me
nothing. Now I look to the shadows,
the starry questions and inhale,
every exhalation a Thank You.

- Rebeca del Rio

On Winter's Margin

On winter’s margin, see the small birds now
With half-forged memories come flocking home
To gardens famous for their charity.
The green globe’s broken; vines like tangled veins
Hang at the entrance to the silent wood.
With half a loaf, I am the prince of crumbs;
By snow’s down, the birds amassed will sing
Like children for their sire to walk abroad!
But what I love, is the gray stubborn hawk
Who floats alone beyond the frozen vines;
And what I dream of are the patient deer
Who stand on legs like reeds and drink that wind; -
They are what saves the world: who choose to grow
Thin to a starting point beyond this squalor.

- Mary Oliver

Today

If ever there were a spring day so perfect,
so uplifted by a warm intermittent breeze

that it made you want to throw
open all the windows in the house

and unlatch the door to the canary's cage,
indeed, rip the little door from its jamb,

a day when the cool brick paths
and the garden bursting with peonies

seemed so etched in sunlight
that you felt like taking

a hammer to the glass paperweight
on the living room end table,

releasing the inhabitants
from their snow-covered cottage

so they could walk out,
holding hands and squinting

into this larger dome of blue and white,
well, today is just that kind of day.

- Billy Collins

The Enkindled Spring

This spring as it comes bursts up in bonfires green,
Wild puffing of emerald trees, and flame-filled bushes,
Thorn-blossom lifting in wreaths of smoke between
Where the wood fumes up, and the flickering, watery rushes.

I am amazed at this spring, this conflagration
Of green fires lit on the soil of the earth, this blaze
Of growing, these sparks that puff in wild gyration,
Faces of people streaming across my gaze.

And I, what fountain of fire am I among
This leaping combustion of spring? My spirit is tossed
About like a shadow buffeted in the throng
Of flames, a shadow that's gone astray, and is lost.

- D. H. Lawrence

Jerusalem

"Let's be the same wound if we must bleed.
Let's fight side by side, even if the enemy
is ourselves: I am yours, you are mine."
-Tommy Olofsson, Sweden

I'm not interested in
Who suffered the most.
I'm interested in
People getting over it.

Once when my father was a boy
A stone hit him on the head.
Hair would never grow there.
Our fingers found the tender spot
and its riddle: the boy who has fallen
stands up. A bucket of pears
in his mother's doorway welcomes him home.
The pears are not crying.
Later his friend who threw the stone
says he was aiming at a bird.
And my father starts growing wings.

Each carries a tender spot:
something our lives forgot to give us.
A man builds a house and says,
"I am native now."
A woman speaks to a tree in place
of her son. And olives come.
A child's poem says,
"I don't like wars,
they end up with monuments."
He's painting a bird with wings
wide enough to cover two roofs at once.

Why are we so monumentally slow?
Soldiers stalk a pharmacy:
big guns, little pills.
If you tilt your head just slightly
it's ridiculous.

There's a place in my brain
Where hate won't grow.
I touch its riddle: wind, and seeds.
Something pokes us as we sleep.

It's late but everything comes next.

- Naomi Shihab Nye

Just Now

In the morning as the storm begins to blow away
the clear sky appears for a moment and it seems to me
that there has been something simpler than I could ever
believe
simpler than I could have begun to find words for
not patient not even waiting no more hidden
than the air itself that became part of me for a while
with every breath and remained with me unnoticed
something that was here unnamed unknown in the days
and the nights not separate from them
not separate from them as they came and were gone
it must have been here neither early nor late then
by what name can I address it now holding out my thanks

- W.S. Merwin

Poverty

Poverty seizes me in the middle of things
and my life will never be the same:
I will face outwards to the trees
and animals
and not look back.

Silent, furred creatures,
and the tall eucalypts
gather slowly about me;

they have given me this new life,
walking alone in the moonlight,
not knowing who I am.

- John Tarrant

Poem on a Line by Anne Sexton, 'We are All Writing God's Poem'

Today, the sky's the soft blue of a work shirt washed
a thousand times. The journey of a thousand miles
begins with a single step. On the interstate listening
to NPR, I heard a Hubble scientist
say, "The universe is not only stranger than we
think, it's stranger than we can think." I think
I've driven into spring, as the woods revive
with a loud shout, redbud trees, their gaudy
scarves flung over bark's bare limbs. Barely doing
sixty, I pass a tractor trailer called Glory Bound,
and aren't we just? Just yesterday,
I read Li Po: "There is no end of things
in the heart," but it seems like things
are always ending—vacation or childhood,
relationships, stores going out of business,
like the one that sold jeans that really fit—
And where do we fit in? How can we get up
in the morning, knowing what we do? But we do,
put one foot after the other, open the window,
make coffee, watch the steam curl up
and disappear. At night, the scent of phlox curls
in the open window, while the sky turns red violet,
lavender, thistle, a box of spilled crayons.
The moon spills its milk on the black tabletop
for the thousandth time.

- Barbara Crooker

Ode To Enchanted Light

Under the trees light
has dropped from the top of the sky,
light
like a green
latticework of branches,
shining
on every leaf,
drifting down like clean
white sand.

A cicada sends
its sawing song
high into the empty air.

The world is
a glass overflowing
with water.

- Pablo Neruda

The Birthing
*
Call out the names in the procession of the loved.
Call from the blood the ancestors here to bear witness
to the day he stopped the car,
we on our way to a great banquet in his honor.
In a field a cow groaned lowing, trying to give birth,
what*he called front leg presentation,
the calf comes out nose first, one front leg dangling from his mother.
A fatal sign he said while rolling up the sleeves
of his dress shirt, and climbed the fence.
I watched him thrust his arms entire
into the yet to be, where I imagined holy sparrows scattering
in the hall of souls for his big mortal hands just to make way.
With his whole weight he pushed the calf back in the mother
and*grasped the other leg tucked up like a closed wing
against the new one’s shoulder.
And found a way in the warm dark to bring both legs out
into the world together.
Then heaved and pulled, the cow arching her back,
until a bull calf, in*a whoosh of blood and water,
came falling whole and still onto the meadow.
We rubbed his blackness, bloodying our hands.
The mother licked her newborn, of us oblivious,
until he moved a little, struggled.
I ran to get our coats, mine a green velvet cloak,
and his a tuxedo jacket, and worked to rub the new one dry
while he set out to find the farmer.
When it was over, the new calf suckling his mother,
the farmer soon to lead them to the barn,
leaving our coats just where they lay
we huddled in the car.
And then made love toward eternity,
Without a word drove slowly home. And loved some more.
*
*****- Deborah Digges

The Esquimos Have No Word for “War”

Trying to explain it to them
Leaves one feeling ridiculous and obscene.
Their houses, like white bowls,
Sit on a prairie of ancient snowfalls
Caught beyond thaw or the swift changes
Of night and day.
They listen politely, and stride away.

With spears and sleds and barking dogs
To hunt for food. The women wait
Chewing on skins or singing songs,
Knowing that they have hours to spend,
That the luck of the hunter is often late.

Later, by fires and boiling bones
In streaming kettles, they welcome me,
Far kin, pale brother,
To share what they have in a hungry time
In a difficult land. While I talk on
Of the southern kingdoms, cannon, armies,
Shifting alliances, airplanes, power,
They chew their bones, and smile at one another.

- Mary Oliver

That Twitching

When I sleep
That twitching you see is really a leisurely stroll

Dogs dream seven times faster than you do

Do strangers come up to you
And scratch your head?

Dogs love seven times stronger than you do

If your beloved died would you sit patiently by the train platform
For years?

Dogs wait seven times longer than you do

It is not to late
To find your dog heart

- Warren Peace
(Translated by Brian Narelle)

Narcissus

Encircled by her arms as by a shell,
she hears her being murmur,
while forever he endures
the outrage of his too pure image...

Wistfully following their example,
nature re-enters herself;
contemplating its own sap, the flower
becomes too soft, and the boulder hardens...

It's the return of all desire that enters
toward all life embracing itself from afar...
Where does it fall? Under the dwindling
surface, does it hope to renew a center?

- Rainer Maria Rilke

A Message from Space

Everything that happens is the message:
you read an event and be one and wait,
like breasting a wave, all the while knowing
by living, though not knowing how to live.

Or workers built an antenna -- a dish
aimed at stars -- and they themselves are its message,
crawling in and out, being worlds that loom,
dot-dash, and sirens, and sustaining beams.

And sometimes no one is calling but we turn up
eye and ear -- suddenly we fall into
sound before it begins, the breathing
so still it waits there under the breath --

And then the green of leaves calls out, hills
where they wait or turn, clouds in their frenzied
stillness unfolding their careful words:
"Everything counts. The message is the world."

- William Stafford

Lines Written In Early Spring

I heard a thousand blended notes,
While in a grove I sate reclined,
In that sweet mood when pleasant thoughts
Bring sad thoughts to the mind.

To her fair works did Nature link
The human soul that through me ran;
And much it grieved my heart to think
What man has made of man.

Through primrose tufts, in that green bower,
The periwinkle trailed its wreaths;
And 'tis my faith that every flower
Enjoys the air it breathes.

The birds around me hopped and played,
Their thoughts I cannot measure:--
But the least motion which they made
It seemed a thrill of pleasure.

The budding twigs spread out their fan,
To catch the breezy air;
And I must think, do all I can,
That there was pleasure there.

If this belief from heaven be sent,
If such be Nature's holy plan,
Have I not reason to lament
What man has made of man?

- William Wordsworth

The Pond

Snapping turtles in the pond eat bass, sunfish,
and frogs. They do us no harm when we swim.
But early this spring two Canada geese
lingered, then built a nest. What I’d
heard of, our neighbor feared: goslings,
as they paddle about, grabbed from below
by a snapper, pulled down to drown.

So he stuck
hunks of fat on huge, wire-leadered hooks
attached to plastic milk-bottle buoys.
The first week he caught three turtles
and still there are more: sometimes he finds
the bottles dragged ashore, the wire
wrapped several times around a pine trunk
and the steel hook wrenched straight as a pin.

- Gregory Orr

From an Atlas of the Difficult World

I know you are reading this poem
late, before leaving your office
of the one intense yellow lamp-spot and the darkening window
in the lassitude of a building faded to quiet
long after rush-hour. I know you are reading this poem
standing up in a bookstore far from the ocean
on a grey day of early spring, faint flakes driven
across the plains' enormous spaces around you.
I know you are reading this poem
in a room where too much has happened for you to bear
where the bedclothes lie in stagnant coils on the bed
and the open valise speaks of flight
but you cannot leave yet. I know you are reading this poem
as the underground train loses momentum and before running
up the stairs
toward a new kind of love
your life has never allowed.
I know you are reading this poem by the light
of the television screen where soundless images jerk and slide
while you wait for the newscast from the intifada.
I know you are reading this poem in a waiting-room
of eyes met and unmeeting, of identity with strangers.
I know you are reading this poem by fluorescent light
in the boredom and fatigue of the young who are counted out,
count themselves out, at too early an age. I know
you are reading this poem through your failing sight, the thick
lens enlarging these letters beyond all meaning yet you read on
because even the alphabet is precious.
I know you are reading this poem as you pace beside the stove
warming milk, a crying child on your shoulder, a book in your
hand
because life is short and you too are thirsty.
I know you are reading this poem which is not in your language
guessing at some words while others keep you reading
and I want to know which words they are.
I know you are reading this poem listening for something, torn
between bitterness and hope
turning back once again to the task you cannot refuse.
I know you are reading this poem because there is nothing else
left to read
there where you have landed, stripped as you are.

- Adrienne Rich

The People Of The Other Village

hate the people of this village
and would nail our hats
to our heads for refusing in their presence to remove them
or staple our hands to our foreheads
for refusing to salute them
if we did not hurt them first: mail them packages of rats,
mix their flour at night with broken glass.
We do this, they do that.
They peel the larynx from one of our brothers’ throats.
We devein one of their sisters.
The quicksand pits they built were good.
Our amputation teams were better.
We trained some birds to steal their wheat.
They sent to us exploding ambassadors of peace.
They do this, we do that.
We canceled our sheep imports.
They no longer bought our blankets.
We mocked their greatest poet
and when that had no effect
we parodied the way they dance
which did cause pain, so they, in turn, said our God
was leprous, hairless.
We do this, they do that.
Ten thousand (10,000) years, ten thousand
(10,000) brutal, beautiful years.

- Thomas Lux

A Dance

The stepping-stones, once
in a row along the slope,
have drifted out of line,
pushed by frosts and rains.
Walking is no longer thoughtless
over them, but alert as dancing,
as tense and poised, to step
short, and long, and then
longer, right, and then left.
At the winter's end, I dance
the history of its weather.

- Wendell Berry

Out of darkness and dread
Shall come dawn and the birds...
Love shall fold warm like a cloak
Round the shuddering earth
Till the sound of its woe cease...
Reach me your hand,
This is the meaning of all that we
Suffered in sleep - the white peace
Of the waking.

- Edna St.Vincent Millay

The Seven Of Pentacles

Under a sky the color of pea soup
she is looking at her work growing away there
actively, thickly like grapevines or pole beans
as things grow in the real world, slowly enough.
If you tend them properly, if you mulch, if you water,
if you provide birds that eat insects a home and winter food,
if the sun shines and you pick off caterpillars,
if the praying mantis comes and the ladybugs and the bees,
then the plants flourish, but at their own internal clock.

Connections are made slowly, sometimes they grow underground.
You cannot tell always by looking at what is happening.
More than half the tree is spread out in the soil under your feet.
Penetrate quietly as the earthworm that blows no trumpet.
Fight persistently as the creeper that brings down the tree.
Spread like the squash plant that overruns the garden.
Gnaw in the dark and use the sun to make sugar.

Weave real connections, create real nodes, build real houses.
Live a life you can endure: Make love that is loving.
Keep tangling and interweaving and taking more in,
a thicket and bramble wilderness to the outside but to us
interconnected with rabbit runs and burrows and lairs.

Live as if you liked yourself, and it may happen:
reach out, keep reaching out, keep bringing in.
This is how we are going to live for a long time: not always,
for every gardener knows that after the digging, after
the planting,
after the long season of tending and growth, the harvest comes.

- Marge Piercy

Confluence

Kids play in the creek beneath the redwood canopy,
dark scent of earth, rising, covering everything,
bells of voices, water rushing, sound of frogs and crickets.

I pass – this other life – footsteps on wet pavement.
If this were a painting, I’d step right in –
become the white blossoms in the dappled shadows.

Their thin bodies—ghosts stitching the creeks crevices
playing house, cleaning the creek with found sticks
weaving their voices into the sound of frogs and crickets.

Their minds—open windows, white drapes flapping like tongues.
I’d be – change of camera angle – the weak sun looking down
pushing through the thick mesh of redwood canopy,

yellow fingers probing the streets shadows
like an apostle who doesn’t believe the wounds
that throb from the earth like the sound of frogs and crickets.

Or I’d be the trees themselves – ringed history reaching skyward
everything happening again and again at my feet—roots spread
a net gathering this galaxy—small stars of girls, the past,
the voices, the water, the frogs and crickets—into a chorus of compassion.

- Iris Dunkle