Poem for the day from Larry Robinson

In the Beginning

Sometimes simplicity rises
like a blossom of fire
from the white silk of your own skin.
You were there in the beginning
you heard the story, you heard the merciless
and tender words telling you where you had to go.
Exile is never easy and the journey
itself leaves a bitter taste. But then,
when you heard that voice, you had to go.
You couldn't sit by the fire, you couldn't live
so close to the live flame of that compassion
you had to go out in the world and make it your own
so you could come back with
that flame in your voice, saying listen...
this warmth, this unbearable light, this fearful love...
It is all here, it is all here.


- David Whyte

Fear No More
Fear no more the heat o' the sun;
Nor the furious winter's rages,
Thou thy worldly task hast done,
Home art gone, and ta'en thy wages;
Golden lads and girls all must,
As chimney sweepers come to dust.


Fear no more the frown of the great,
Thou art past the tyrant's stroke:
Care no more to clothe and eat;
To thee the reed is as the oak:
The sceptre, learning, physic, must
All follow this, and come to dust.


Fear no more the lightning-flash,
Nor the all-dread thunder-stone;
Fear not slander, censure rash;
Thou hast finished joy and moan;
All lovers young, all lovers must
Consign to thee, and come to dust.


No exorciser harm thee!
Nor no witchcraft charm thee!
Ghost unlaid forbear thee!
Nothing ill come near thee!
Quiet consummation have;
And renowned be thy grave!


- William Shakespeare

Winged Energy of Delight


As once the winged energy of delight
carried you over childhood's dark abysses,
now beyond your own life build the great
arch of unimagined bridges.

Wonders happen if we can succeed
in passing through the harshest danger;
but only in a bright and purely granted
achievement can we realize the wonder.

To work with Things in the indescribable
relationship is not too hard for us;
the pattern grows more intricate and subtle,
and being swept along is not enough.

Take your practiced powers and stretch them out
until they span the chasm between two
contradictions ... For the god
wants to know himself in you.

- Rainer Maria Rilke
(translated by Steven Mitchell)

Courage

It is in the small things we see it.
The child's first step,
as awesome as an earthquake.
The first time you rode a bike,
wallowing up the sidewalk.
The first spanking when your heart
went on a journey all alone.
When they called you crybaby
or poor or fatty or crazy
and made you into an alien,
you drank their acid
and concealed it.

Later,
if you faced the death of bombs and bullets
you did not do it with a banner,
you did it with only a hat to
cover your heart.
You did not fondle the weakness inside you
though it was there.
Your courage was a small coal
that you kept swallowing.
If your buddy saved you
and died himself in so doing,
then his courage was not courage,
it was love; love as simple as shaving soap.

Later,
if you have endured a great despair,
then you did it alone,
getting a transfusion from the fire,
picking the scabs off your heart,
then wringing it out like a sock.
Next, my kinsman, you powdered your sorrow,
you gave it a back rub
and then you covered it with a blanket
and after it had slept a while
it woke to the wings of the roses
and was transformed.

Later,
when you face old age and its natural conclusion
your courage will still be shown in the little ways,
each spring will be a sword you'll sharpen,
those you love will live in a fever of love,
and you'll bargain with the calendar
and at the last moment
when death opens the back door
you'll put on your carpet slippers
and stride out.

- Anne Sexton

What If This Road

What if this road, that has held no surprises
these many years, decided not to go
home after all; what if it could turn
left or right with no more ado
than a kite-tail? What if its tarry skin
were like a long, supple bolt of cloth,
that is shaken and rolled out, and takes
a new shape from the contours beneath?
And if it chose to lay itself down
in a new way; around a blind corner,
across hills you must climb without knowing
what's on the other side; who would not hanker
to be going, at all risks? Who wants to know
a story's end, or where a road will go?

- Sheenagh Pugh

Sirens?


What exactly did the Sirens sing?
"Hello boys! Come on back!"?
We're told it would have meant
Crashing the ship offshore?


But, is this true?
What would the Sirens say?
"They made so many promises,
So tied to the mast."?


Were they expressing
Their hearts' desires?
Unimaginable sound?
A chorus of ocean?


Probably....
But, the ship sailed past....


And everyone loved the sun.
So warm. So dry....
Almost time
To go back underwater?


- Jon Jackson

The Light Beneath Sleep
Sometimes, underneath deep sleep
is a certain diffused glow,
as, in the rainforest, luminous toadstools
glow green among the leaf litter
and beetles crawl about with winking abdomens.
One night when I followed this glow
I came to an upturned tree
that was a kind of cathedral for glowworms
and the light beat against my face, my chest and my hands.
At the end of the corridor of sleep, a dream stands.
It may be that at the end of the corridor of death
there is the walking slightly uphill
through the green fields;
and then the light underneath sleep
is both in front and behind.
- John Tarrant

I will be traveling until August 20 and unable to post the daily poems. I hope that you are all happy, safe and well in the meantime. Many blessings,
Larry




What's In The Temple?


In the quiet spaces of my mind a thought lies still, but ready to spring.
It begs me to open the door so it can walk about.
The poets speak in obscure terms pointing madly at the unsayable.
The sages say nothing, but walk ahead patting their thigh calling for us to follow.
The monk sits pen in hand poised to explain the cloud of unknowing.
The seeker seeks, just around the corner from the truth.
If she stands still it will catch up with her.
Pause with us here a while.
Put your ear to the wall of your heart.
Listen for the whisper of knowing there.
Love will touch you if you are very still.


If I say the word God, people run away.
They've been frightened--sat on 'till the spirit cried "uncle."
Now they play hide and seek with somebody they can't name.
They know he's out there looking for them, and they want to be found,
But there is all this stuff in the way.


I can't talk about God and make any sense,
And I can't not talk about God and make any sense.
So we talk about the weather, and we are talking about God.


I miss the old temples where you could hang out with God.
Still, we have pet pounds where you can feel love draped in warm fur,
And sense the whole tragedy of life and death.
You see there the consequences of carelessness,
And you feel there the yapping urgency of life that wants to be lived.
The only things lacking are the frankincense and myrrh.


We don't build many temples anymore.
Maybe we learned that the sacred can't be contained.
Or maybe it can't be sustained inside a building.
Buildings crumble.
It's the spirit that lives on.


If you had a temple in the secret spaces of your heart,
What would you worship there?
What would you bring to sacrifice?
What would be behind the curtain in the holy of holies?


Go there now.


- Tom Barrett

The Day is Done

The day is done, and the darkness
Falls from the wings of Night,
As a feather is wafted downward
From an eagle in his flight.

I see the lights of the village
Gleam through the rain and the mist,
And a feeling of sadness comes o'er me
That my soul cannot resist:

A feeling of sadness and longing,
That is not akin to pain,
And resembles sorrow only
As the mist resembles the rain.

Come, read to me some poem,
Some simple and heartfelt lay,
That shall soothe this restless feeling,
And banish the thoughts of day.

Not from the grand old masters,
Not from the bards sublime,
Whose distant footsteps echo
Through the corridors of Time.

For, like strains of martial music,
Their mighty thoughts suggest
Life's endless toil and endeavor;
And to-night I long for rest.

Read from some humbler poet,
Whose songs gushed from his heart,
As showers from the clouds of summer,
Or tears from the eyelids start;

Who, through long days of labor,
And nights devoid of ease,
Still heard in his soul the music
Of wonderful melodies.

Such songs have power to quiet
The restless pulse of care,
And come like the benediction
That follows after prayer.

Then read from the treasured volume
The poem of thy choice,
And lend to the rhyme of the poet
The beauty of thy voice.

And the night shall be filled with music,
And the cares, that infest the day,
Shall fold their tents, like the Arabs,
And as silently steal away.


- Henry Wadsworth Longfellow

Astonishment


Oarlocks knock in the dusk, a rowboat rises
and settles, surges and slides.
Under a great eucalyptus,
a boy and a girl feel around with their feet
for those small flattish stones so perfect
for scudding across the water.


A dog barks from deep in the silence.
A woodpecker, double-knocking,
keeps time. I have slept in so many arms.
Consolation? Probably. But too much
consolation may leave one inconsolable.


The water before us has hardly moved
except in the shallowest breathing places.
For us back then, to live seemed almost to die.
One day a darkness fell between her and me.
When we woke, a hawthorn sprig
stood in the water glass at our bedside.


There is a silence in the beginning.
The life within us grows quiet.
There is little fear. No matter
how all this comes out, from now on
it cannot not exist ever again.
We liked talking our nights away
in words close to the natural language,
which most other animals can still speak.


The present pushes back the life of regret.
It draws forward the life of desire. Soon memory
will have started sticking itself all over us.
We were fashioned from clay in a hurry,
poor throwing may mean it didn't matter
to the makers if their pots cracked.


On the mountain tonight the full moon
faces the full sun. Now could be the moment
when we fall apart or we become whole.
Our time seems to be up - I think I even hear it stopping.
Then why have we kept up the singing for so long?
Because that the sort of determined creature we are.
Before us, our first task is to astonish,
and then, harder by far, to be astonished.


- Galway Kinnell

A Quiet Joy


I'm standing in a place where I once loved.
The rain is falling. The rain is my home.


I think words of longing: a landscape
out to the very edge of what's possible.


I remember you waving your hand
as if wiping mist from the window pane,


and your face, as if enlarged
from an old blurred photo.


Once I committed a terrible wrong
to myself and others.


But the world is beautifully made for doing good
and for resting, like a park bench.


And late in life I discovered
a quiet joy
like a serious disease that's discovered too late:


just a little time left now for quiet joy.


- Yehuda Amichai
(tr. by Chana Bloch)

The Depths

When the white fog burns off,
the abyss of everlasting light
is revealed. The last cobwebs
of fog in the
black firtrees are flakes
of white ash in the world's hearth.

Cold of the sea is counterpart
to this great fire. Plunging
out of the burning cold of ocean
we enter an ocean of intense
noon. Sacred salt
sparkles on our bodies.

After mist has wrapped us again
in fine wool, may the taste of salt
recall to us the great depths about us.

- Denise Levertov

Hope

It hovers in dark corners
before the lights are turned on,
it shakes sleep from its eyes
and drops from mushroom gills,
it explodes in the starry heads
of dandelions turned sages,
it sticks to the wings of green angels
that sail from the tops of maples.

It sprouts in each occluded eye
of the many-eyed potato,
it lives in each earthworm segment
surviving cruelty,
it is the motion that runs the tail of a dog,
it is the mouth that inflates the lungs
of the child that has just been born.

It is the singular gift
we cannot destroy in ourselves,
the argument that refutes death,
the genius that invents the future,
all we know of God.

It is the serum which makes us swear
not to betray one another;
it is in this poem, trying to speak.


- Lisel Mueller

There Is No Word

There isn’t a word for walking out of the grocery store
with a gallon jug of milk in a plastic sack
that should have been bagged in double layers

—so that before you are even out the door
you feel the weight of the jug dragging
the bag down, stretching the thin

plastic handles longer and longer
and you know it’s only a matter of time until
bottom suddenly splits.

There is no single, unimpeachable word
for that vague sensation of something
moving away from you

as it exceeds its elastic capacity
—which is too bad, because that is the word
I would like to use to describe standing on the street

chatting with an old friend
as the awareness grows in me that he is
no longer a friend, but only an acquaintance,

a person with whom I never made the effort—
until this moment, when as we say goodbye
I think we share a feeling of relief,

a recognition that we have reached
the end of a pretense,
though to tell the truth

what I already am thinking about
is my gratitude for language—
how it will stretch just so much and no farther;

how there are some holes it will not cover up;
how it will move, if not inside, then
around the circumference of almost anything—

how, over the years, it has given me
back all the hours and days, all the
plodding love and faith, all the

misunderstandings and secrets
I have willingly poured into it.
- Tony Hoagland

Forever


In the Universe of God
she is a wave on the ocean
of eternity.
And I, another wave in the same ocean,
travel with her
until the time
that one of us fades into the salty waters,
leaving the other behind,
who will also one day be no more.


But one bright morning
we will awaken in each other's arms
beyond oceans, beyond eternity,
beyond even she and me,
and at that time
we will be
forever.


- Greg Kimura

The Vulnerability of Children


Lives inside all of us
Like a small animal heart beat
The quiver of quickening,
The womb-bound baby's sensing
Her possibilities and vulnerabilities.


On edge, unsure, but sure
Someone is certain, we guard
Our ignorance, hide it
Like buried scat instead of the jewel
Not knowing is, not knowing or forgetting,
The blessing of curiosity without contempt.


The boy bends over the microscope,
Studies the blossoms in stone,
The steady beat of a heart aware
Of the miraculous. In that moment
Fear of mistakes, knowledge of right
Or wrong recede and the boy's vulnerability,
The vulnerability of children blesses him,


Gifts him with precious perspective,
The vision of quotidian miracles
Hidden in the mundane. Blessed
Wonder, blessed curiosity,
Blessed vulnerability that opens
The heart and blesses the mind.


- Rebecca del Rio

Those Buckeyes

Oh, lord, lord, lord, it's terrible!
As Neruda had his precious socks,
I have had my exquisite buckeyes.
And the bowl is nearly empty!

I'm down to two precious morsels
that celebrate the perfect mating
of chocolate and peanut butter.

They are so beautiful
in their crystal container,
inside the refrigerator,
lording it over the
pickles and chutney.

Over time, each bite
has been a ritual, a sacrament,
a celebration of gratitude!
Yes, the miraculous
caught for a moment
in my mouth.

I've never felt worthy
of their delicious bodies.
I confess that's painfully true.
I'm merely mortal after all.

On that fearsome and dreaded day
when I gaze upon the empty bowl
may my sobs and tears be a testament
that for a few blissful moments
in this pedestrian world
I have been blessed
by the divine.

I have had buckeyes.
I have had buckeyes.

- Doug von Koss

Place


On the last day of the world
I would want to plant a tree


what for
not for the fruit


the tree that bears the fruit
is not the one that was planted


I want the tree that stands
in the earth for the first time


with the sun already
going down


and the water touching its roots


in the earth full of the dead
and the clouds passing


one by one
over its leaves


- W.S. Merwin

Divine Proportion

A biologist from Stockholm
brought me one year
a porcelain teacup
a small perfect thing
which nests in the hand
just so, with a belly
that curves as gracefully
as a humpback’s fluke
or a whippoorwill’s breast


It cracked one day
don't ask me how
I don’t recall doing it
wouldn't admit to it anyway
I traced with my fingertip
this new fault line
on my once perfect cup
with a chip in the rim
right where you would sip


Now it just waits
in the dark at the back
of the antique cupboard
no more to be warmed
by the boiling kettle
no longer the one
I reach for each morning
to steep my tea
but my favorite still.

- Seth H. Truby

Fuchsia That summer in the west I walked sunrise to dusk, narrow twisted highways without shoulders, low stone walls on both sides. Hedgerows of fuchsia hemmed me in, the tropical plant now wild, centuries after nobles imported it for their gardens. I was unafraid, did not cross to the outsides of curves, did not look behind me for what might be coming. For weeks in counties Kerry and Cork, I walked through the red blooms the Irish call the Tears of God, blazing from the brush like lanterns. Who would have thought a warm current touching the shore of that stone-cold country could make lemon trees, bananas, and palms not just take, but thrive? Wild as the jungles they came from, where boas flexed around their trunks — like my other brushes with miracles, the men who love you back, how they come to you, gorgeous and invasive, improbable, hemming you in. And you walk that road blazing, some days not even afraid to die. - Katrina Vandenberg

The Poet with His Face in His Hands

You want to cry aloud for your
mistakes. But to tell the truth the world
doesn't need anymore of that sound.

So if you're going to do it and can't
stop yourself, if your pretty mouth can't
hold it in, at least go by yourself across

the forty fields and the forty dark inclines
of rocks and water to the place where
the falls are flinging out their white sheets

like crazy, and there is a cave behind all that
jubilation and water fun and you can
stand there, under it, and roar all you

want and nothing will be disturbed; you can
drip with despair all afternoon and still,
on a green branch, its wings just lightly touched

by the passing foil of the water, the thrush,
puffing out its spotted breast, will sing
of the perfect, stone-hard beauty of everything.

- Mary Oliver

The Snakes of September


All summer I heard them
rustling in the shrubbery,
outracing me from tier
to tier in my garden,
a whisper among the viburnums,
a signal flashed from the hedgerow,
a shadow pulsing
in the barberry thicket.
Now that the nights are chill
and the annuals spent,
I should have thought them gone,
in a torpor of blood
slipped to the nether world
before the sickle frost.
Not so. In the deceptive balm
of noon, as if defiant of the curse
that spoiled another garden,
these two appear on show
through a narrow slit
in the dense green brocade
of a north-country spruce,
dangling head-down, entwined
in a brazen love-knot.
I put out my hand and stroke
the fine, dry grit of their skins.
After all,
we are partners in this land,
co-signers of a covenant.
At my touch the wild
braid of creation
trembles.


- Stanley Kunitz

Concerning the Book that is the Body of the Beloved


Resurrection of the body of the beloved,
Which is the worldWhich is the poem
Of the world, the poem of the body.

Mortal ourselves and filled with awe,
we gather the scattered limbs
Of Osiris.
That he should live again.
That death not be oblivion.



When I open the book
I hear the poets whisper and weep,
Laugh and lament.

In a thousand languages
They say the same thing:
“We lived. The secret of life
is love, that casts its wing
over all suffering, that takes
in its arms the hurt child,
that rises green from the fallen seed.”


Sadness is there, too.
All the sadness in the world.
Because the tide ebbs,
Because wild waves
Punish the shore
And the small lives lived there.
Because the body is scattered.
Because death is real
And sometimes death is not
Even the worst of it.

If sadness did not run
Like a river through the Book,
Why would we go there?
What would we drink?


Oh, there’s blood enough, and sap
From the stalks. Tears, too.
A raindrop and the dark water
Of bogs. It’s a rich ink.
Indelible, invisible
(hold up the page to the light,
hold the page near a flame).


The world comes into the poem.
The poem comes into the world.
Reciprocity – it all comes down
To that.
As with lovers:
When it’s right you can’t say
Who is kissing whom.


Lighten up, lighten up.
Let go of the heaviness.
Was it a poem from the Book
That so weighed you down?

Impossible. Less than a feather.
Less than the seed a milkweed
Pod releases in the breeze.

Lifted, it drifts out to settle
In a field, with all that’s inside it
Waiting to become
Root and tendril, to come alive.


Now the snow is falling
Even more than an hour ago.
The pine in the backyard
Bows with the weight of it.

Two years ago, my father
Died. What love we had
Hidden under misery,
Weighed down with years
Of silence.

And now,
Maybe the poem can free
Us, maybe the poem can express
The love and let the rest
Slide to the earth as the snow
Does now, freeing the tree
Of its burden.


To be alive: not just the carcass
But the spark.
That’s crudely put, but . . .

If we’re not supposed to dance,
Why all this music?


Time to shut up.
Voltaire said the secret
Of being boring
Is to say everything.

And yet I held
Back about love
All those years:
Talking about death
Insistently, even
As I was alive;
Talking about loss
As if all was loss,
As if the world
Did not return
Each morning.
As if the beloved
Didn’t long for us.

No wonder I go on
So. I go on so
Because of the wonder.



- Gregory Orr

And the Stars
Perhaps you did not know how bright last night,
Especially above your seaside door,
Was all the marvelous starlit sky, and wore
White harmonies of very shining light.
Perhaps you did not want to seek the sight
Of that remembered rapture any more.—
But then at least you must have heard the shore
Roar with reverberant voices thro’ the night.
Those stars were lit with longing of my own,
And the ocean’s moan was full of my own pain.
Yet doubtless it was well for both of us
You did not come, but left me there alone.
I hardly ought to see you much again;
And stars, we know, are often dangerous.


- Robinson Jeffers

The Gate

I had no idea that the gate I would step through
to finally enter this world

would be the space my brother’s body made. He was
a little taller than me: a young man

but grown, himself by then,
done at twenty-eight, having folded every sheet,

rinsed every glass he would ever rinse under the cold
and running water.

This is what you have been waiting for, he used to say to me.
And I’d say, What?

And he’d say, This -- holding up my cheese and mustard sandwich.
And I’d say, What?

And he’d say, This, sort of looking around.

- Marie Howe

Phantom Limbs

I've met with the witchdocter,
read the runic bones
thrown from an ochre ram's horn,
the strong smoky dark inviting me to see my future,
the rattle of snake skin waking me from my trance.

I've listened to the lions roar their gory debate
beyond my tent, as they muzzle in the blood of a zebra,
I've seen the African sun empty her orb
a river of liquid gold across the bushveld.

I've watched people running from bullets,
crisscross, a crazed spider's web spun to nowhere,
terror chizzled in their faces,
a barefoot wardance on shattered glass.

I've lived
where there stood a white bungalow
with wrap-around verandah,
chorus of cicadas laced the night air with etude scaling,
stereo and mono output,
calls, the sound of symphony
while a one-eyed grey monkey picked at ticks
and a bare-foot girl child was swinging
in the twisted Chinese guava tree,
planning her life.


- Margaret Caminsky-Shapiro

For Desire


Give me the strongest cheese, the one that stinks best;
and I want the good wine, the swirl in crystal
surrendering the bruised scent of blackberries,
or cherries, the rich spurt in the back
of the throat, the holding it there before swallowing.
Give me the lover who yanks open the door
of his house and presses me to the wall
in the dim hallway, and keeps me there until I'm drenched
and shaking, whose kisses arrive by the boatload
and begin their delicious diaspora
through the cities and small towns of my body.
To hell with the saints, with martyrs
of my childhood meant to instruct me
in the power of endurance and faith,
to hell with the next world and its pallid angels
swooning and sighing like Victorian girls.
I want this world. I want to walk into
the ocean and feel it trying to drag me along
like I'm nothing but a broken bit of scratched glass,
and I want to resist it. I want to go
staggering and flailing my way
through the bars and back rooms,
through the gleaming hotels and weedy
lots of abandoned sunflowers and the parks
where dogs are let off their leashes
in spite of the signs, where they sniff each
other and roll together in the grass, I want to
lie down somewhere and suffer for love until
it nearly kills me, and then I want to get up again
and put on that little black dress and wait
for you, yes you, to come over here
and get down on your knees and tell me
just how fucking good I look


- Kim Addonizio

The Weave Has No Limits


Foolish to fear and obsess
in this over-night roadhouse
I call my life. In the wide world
of the spirit I would forget the self.
It would be swallowed up into a vast
abundance. Thought would no longer
matter. Always threads of possibility
reach out from us. Where they get lost
and then knotted is the the place where
distortion perceives a conditioned world.
To grasp the essence of a leaf, a cloud,
a stone, cast an inner light around it. Let
that fine stitch of the intuitive guide you.
A clarity then can unfold that pure and
perfect tapestry inside. Do not try to fasten
the strands with clumsy hands hot for
lavish confusion. The weave does not
need your speculations; it is limitless.
You must let go of the thread that holds
onto your desperate story. Only when that
is abandoned with all its ornaments will the
untainted design appear, deeper and abiding.


- Rich Meyers

In Praise of Self-Deprecation

The buzzard has nothing to fault himself with.
Scruples are alien to the black panther.
Piranhas do not doubt the rightness of their actions
The rattlesnake approves of himself without reservations.

The self-critical jackal does not exist.
The locust, alligator, trichina, horsefly
live as they live and are glad of it.

The killer-whale’s heart weighs one hundred kilos
but in other respects it is light.

There is nothing more animal-like
than a clear conscience
on the third planet of the Sun.

- Wislawa Szymborska

Little Gidding


I
Midwinter spring is its own season
Sempiternal though sodden towards sundown,
Suspended in time, between pole and tropic.
When the short day is brightest, with frost and fire,
The brief sun flames the ice, on pond and ditches,
In windless cold that is the heart's heat,
Reflecting in a watery mirror
A glare that is blindness in the early afternoon.
And glow more intense than blaze of branch, or brazier,
Stirs the dumb spirit: no wind, but pentecostal fire
In the dark time of the year. Between melting and freezing
The soul's sap quivers. There is no earth smell
Or smell of living thing. This is the spring time
But not in time's covenant. Now the hedgerow
Is blanched for an hour with transitory blossom
Of snow, a bloom more sudden
Than that of summer, neither budding nor fading,
Not in the scheme of generation.
Where is the summer, the unimaginable
Zero summer?
If you came this way,
Taking the route you would be likely to take
From the place you would be likely to come from,
If you came this way in may time, you would find the hedges
White again, in May, with voluptuary sweetness.
It would be the same at the end of the journey,
If you came at night like a broken king,
If you came by day not knowing what you came for,
It would be the same, when you leave the rough road
And turn behind the pig-sty to the dull facade
And the tombstone. And what you thought you came for
Is only a shell, a husk of meaning
From which the purpose breaks only when it is fulfilled
If at all. Either you had no purpose
Or the purpose is beyond the end you figured
And is altered in fulfilment. There are other places
Which also are the world's end, some at the sea jaws,
Or over a dark lake, in a desert or a city—
But this is the nearest, in place and time,
Now and in England.
If you came this way,
Taking any route, starting from anywhere,
At any time or at any season,
It would always be the same: you would have to put off
Sense and notion. You are not here to verify,
Instruct yourself, or inform curiosity
Or carry report. You are here to kneel
Where prayer has been valid. And prayer is more
Than an order of words, the conscious occupation
Of the praying mind, or the sound of the voice praying.
And what the dead had no speech for, when living,
They can tell you, being dead: the communication
Of the dead is tongued with fire beyond the language of the living.
Here, the intersection of the timeless moment
Is England and nowhere. Never and always.


II
Ash on and old man's sleeve
Is all the ash the burnt roses leave.
Dust in the air suspended
Marks the place where a story ended.
Dust inbreathed was a house—
The walls, the wainscot and the mouse,
The death of hope and despair,
This is the death of air.
There are flood and drouth
Over the eyes and in the mouth,
Dead water and dead sand
Contending for the upper hand.
The parched eviscerate soil
Gapes at the vanity of toil,
Laughs without mirth.
This is the death of earth.
Water and fire succeed
The town, the pasture and the weed.
Water and fire deride
The sacrifice that we denied.
Water and fire shall rot
The marred foundations we forgot,
Of sanctuary and choir.
This is the death of water and fire.
In the uncertain hour before the morning
Near the ending of interminable night
At the recurrent end of the unending
After the dark dove with the flickering tongue
Had passed below the horizon of his homing
While the dead leaves still rattled on like tin
Over the asphalt where no other sound was
Between three districts whence the smoke arose
I met one walking, loitering and hurried
As if blown towards me like the metal leaves
Before the urban dawn wind unresisting.
And as I fixed upon the down-turned face
That pointed scrutiny with which we challenge
The first-met stranger in the waning dusk
I caught the sudden look of some dead master
Whom I had known, forgotten, half recalled
Both one and many; in the brown baked features
The eyes of a familiar compound ghost
Both intimate and unidentifiable.
So I assumed a double part, and cried
And heard another's voice cry: 'What! are you here?'
Although we were not. I was still the same,
Knowing myself yet being someone other—
And he a face still forming; yet the words sufficed
To compel the recognition they preceded.
And so, compliant to the common wind,
Too strange to each other for misunderstanding,
In concord at this intersection time
Of meeting nowhere, no before and after,
We trod the pavement in a dead patrol.
I said: 'The wonder that I feel is easy,
Yet ease is cause of wonder. Therefore speak:
I may not comprehend, may not remember.'
And he: 'I am not eager to rehearse
My thoughts and theory which you have forgotten.
These things have served their purpose: let them be.
So with your own, and pray they be forgiven
By others, as I pray you to forgive
Both bad and good. Last season's fruit is eaten
And the fullfed beast shall kick the empty pail.
For last year's words belong to last year's language
And next year's words await another voice.
But, as the passage now presents no hindrance
To the spirit unappeased and peregrine
Between two worlds become much like each other,
So I find words I never thought to speak
In streets I never thought I should revisit
When I left my body on a distant shore.
Since our concern was speech, and speech impelled us
To purify the dialect of the tribe
And urge the mind to aftersight and foresight,
Let me disclose the gifts reserved for age
To set a crown upon your lifetime's effort.
First, the cold friction of expiring sense
Without enchantment, offering no promise
But bitter tastelessness of shadow fruit
As body and soul begin to fall asunder.
Second, the conscious impotence of rage
At human folly, and the laceration
Of laughter at what ceases to amuse.
And last, the rending pain of re-enactment
Of all that you have done, and been; the shame
Of motives late revealed, and the awareness
Of things ill done and done to others' harm
Which once you took for exercise of virtue.
Then fools' approval stings, and honour stains.
From wrong to wrong the exasperated spirit
Proceeds, unless restored by that refining fire
Where you must move in measure, like a dancer.'
The day was breaking. In the disfigured street
He left me, with a kind of valediction,
And faded on the blowing of the horn.


III
There are three conditions which often look alike
Yet differ completely, flourish in the same hedgerow:
Attachment to self and to things and to persons, detachment
From self and from things and from persons; and, growing between them, indifference
Which resembles the others as death resembles life,
Being between two lives—unflowering, between
The live and the dead nettle. This is the use of memory:
For liberation—not less of love but expanding
Of love beyond desire, and so liberation
From the future as well as the past. Thus, love of a country
Begins as attachment to our own field of action
And comes to find that action of little importance
Though never indifferent. History may be servitude,
History may be freedom. See, now they vanish,
The faces and places, with the self which, as it could, loved them,
To become renewed, transfigured, in another pattern.
Sin is Behovely, but
All shall be well, and
All manner of thing shall be well.
If I think, again, of this place,
And of people, not wholly commendable,
Of no immediate kin or kindness,
But of some peculiar genius,
All touched by a common genius,
United in the strife which divided them;
If I think of a king at nightfall,
Of three men, and more, on the scaffold
And a few who died forgotten
In other places, here and abroad,
And of one who died blind and quiet
Why should we celebrate
These dead men more than the dying?
It is not to ring the bell backward
Nor is it an incantation
To summon the spectre of a Rose.
We cannot revive old factions
We cannot restore old policies
Or follow an antique drum.
These men, and those who opposed them
And those whom they opposed
Accept the constitution of silence
And are folded in a single party.
Whatever we inherit from the fortunate
We have taken from the defeated
What they had to leave us—a symbol:
A symbol perfected in death.
And all shall be well and
All manner of thing shall be well
By the purification of the motive
In the ground of our beseeching.


IV
The dove descending breaks the air
With flame of incandescent terror
Of which the tongues declare
The one discharge from sin and error.
The only hope, or else despair
Lies in the choice of pyre of pyre—
To be redeemed from fire by fire.
Who then devised the torment? Love.
Love is the unfamiliar Name
Behind the hands that wove
The intolerable shirt of flame
Which human power cannot remove.
We only live, only suspire
Consumed by either fire or fire.


V
What we call the beginning is often the end
And to make and end is to make a beginning.
The end is where we start from. And every phrase
And sentence that is right (where every word is at home,
Taking its place to support the others,
The word neither diffident nor ostentatious,
An easy commerce of the old and the new,
The common word exact without vulgarity,
The formal word precise but not pedantic,
The complete consort dancing together)
Every phrase and every sentence is an end and a beginning,
Every poem an epitaph. And any action
Is a step to the block, to the fire, down the sea's throat
Or to an illegible stone: and that is where we start.
We die with the dying:
See, they depart, and we go with them.
We are born with the dead:
See, they return, and bring us with them.
The moment of the rose and the moment of the yew-tree
Are of equal duration. A people without history
Is not redeemed from time, for history is a pattern
Of timeless moments. So, while the light fails
On a winter's afternoon, in a secluded chapel
History is now and England.
With the drawing of this Love and the voice of this
Calling
We shall not cease from exploration
And the end of all our exploring
Will be to arrive where we started
And know the place for the first time.
Through the unknown, unremembered gate
When the last of earth left to discover
Is that which was the beginning;
At the source of the longest river
The voice of the hidden waterfall
And the children in the apple-tree
Not known, because not looked for
But heard, half-heard, in the stillness
Between two waves of the sea.
Quick now, here, now, always—
A condition of complete simplicity
(Costing not less than everything)
And all shall be well and
All manner of thing shall be well
When the tongues of flame are in-folded
Into the crowned knot of fire
And the fire and the rose are one.


- T.S. Eliot