"Mad" Miles
07-19-2010, 02:17 PM
There were several very good editorials in yesterday's NYT's and PD. Kristof (https://www.nytimes.com/2010/07/18/opinion/18kristof.html?_r=1&src=me&ref=opinion) (on visible glacier loss in the Himalayas due to MMGW), Krugman (https://www.nytimes.com/2010/07/16/opinion/16krugman.html?partner=rssnyt&emc=rss) (on Republican leaders showing what they really stand for regarding deficit reduction) ...
But this one from Frank Rich was particularly eye-opening for me. I'd forgotten the details of the debates over "Passion Of The Christ" at the time it came out.
This is an excellent reminder of the issues involved, and their parallels to today. And if you buy his argument, it's actually good news and provides reasons for hope!
The Good News About Mel Gibson</NYT_HEADLINE><NYT_BYLINE> (https://www.nytimes.com/2010/07/18/opinion/18rich.html?src=me&ref=general)
By FRANK RICH (https://topics.nytimes.com/top/opinion/editorialsandoped/oped/columnists/frankrich/index.html?inline=nyt-per)
</NYT_BYLINE>Published: July 16, 2010
<SCRIPT type=text/javascript>var articleToolsShareData = {"url":"http:\/\/www.nytimes.com\/2010\/07\/18\/opinion\/18rich.html","headline":"The Good News About Mel Gibson","description":"The reckoning has arrived for the creator of \u201cThe Passion,\u201d whose self-destruction parallels the decline of the Christian right.","keywords":"Religion and Belief,United States Politics and Government,Anti-Semitism,Conservatism (US Politics),Gibson Mel,Roman Catholic Church","section":"opinion","sub_section":null,"section_display":"Opinion","sub_section_display":null,"byline":"By <a href=""\"http:\/\/topics.nytimes.com\/top\/opinion\/editorialsandoped\/oped\/columnists\/frankrich\/index.html?inline=nyt-per\" title=\"More Articles by Frank Rich\" class=\"meta-per\">FRANK RICH<\/a>","pubdate":"July 16, 2010","passkey":null};function getShareURL() { return encodeURIComponent(articleToolsShareData.url);}function getShareHeadline() { return encodeURIComponent(articleToolsShareData.headline);}function getShareDescription() { return encodeURIComponent(articleToolsShareData.description);}function getShareKeywords() { return encodeURIComponent(articleToolsShareData.keywords);}function getShareSection() { return encodeURIComponent(articleToolsShareData.section);}function getShareSubSection() { return encodeURIComponent(articleToolsShareData.sub_section);}function getShareSectionDisplay() { return encodeURIComponent(articleToolsShareData.section_display);}function getShareSubSectionDisplay() { return encodeURIComponent(articleToolsShareData.sub_section_display);}function getShareByline() { return encodeURIComponent(articleToolsShareData.byline);}function getSharePubdate() { return encodeURIComponent(articleToolsShareData.pubdate);}function getSharePasskey() { return encodeURIComponent(articleToolsShareData.passkey);}</SCRIPT>
<NYT_TEXT><NYT_CORRECTION_TOP></NYT_CORRECTION_TOP>FOR Fourth of July weekend fireworks, even Macy’s couldn’t top the spittle-spangled eruptions of Mel Gibson. The clandestine recordings (https://www.radaronline.com/exclusives/2010/07/world-exclusive-mel-gibsons-racist-rant-caught-tape-tells-oksana-she-would-get) of his serial audio assaults (https://www.nydailynews.com/entertainment/movies/2010/07/16/2010-07-16_mel_gibsons_career_comeback_appears_unlikely_as_leaked_tapes_continue_to_increas.html) on his gal pal were instant Web and cable-TV sensations — at once a worthy rival to Hollywood’s official holiday releases and a compelling sequel to his fabled anti- Semitic rant of 2006. A true showman, Gibson offered vitriol for nearly all tastes, aiming his profane fusillade at women, blacks and Latinos alike. The invective was tied together by a domestic violence subplot worthy of “Lethal Weapon.” There was even a surprise comic coda, courtesy of Whoopi Goldberg, who, alone among Gibson’s showbiz peers, used her television platform on “The View” to defend (https://latimesblogs.latimes.com/gossip/2010/07/whoopi-goldberg-mel-gibson.html) her buddy’s good character ...
(Snip. Click on the hyperlink in the headline for this article, to go to the rest.)
But this one from Frank Rich was particularly eye-opening for me. I'd forgotten the details of the debates over "Passion Of The Christ" at the time it came out.
This is an excellent reminder of the issues involved, and their parallels to today. And if you buy his argument, it's actually good news and provides reasons for hope!
The Good News About Mel Gibson</NYT_HEADLINE><NYT_BYLINE> (https://www.nytimes.com/2010/07/18/opinion/18rich.html?src=me&ref=general)
By FRANK RICH (https://topics.nytimes.com/top/opinion/editorialsandoped/oped/columnists/frankrich/index.html?inline=nyt-per)
</NYT_BYLINE>Published: July 16, 2010
<SCRIPT type=text/javascript>var articleToolsShareData = {"url":"http:\/\/www.nytimes.com\/2010\/07\/18\/opinion\/18rich.html","headline":"The Good News About Mel Gibson","description":"The reckoning has arrived for the creator of \u201cThe Passion,\u201d whose self-destruction parallels the decline of the Christian right.","keywords":"Religion and Belief,United States Politics and Government,Anti-Semitism,Conservatism (US Politics),Gibson Mel,Roman Catholic Church","section":"opinion","sub_section":null,"section_display":"Opinion","sub_section_display":null,"byline":"By <a href=""\"http:\/\/topics.nytimes.com\/top\/opinion\/editorialsandoped\/oped\/columnists\/frankrich\/index.html?inline=nyt-per\" title=\"More Articles by Frank Rich\" class=\"meta-per\">FRANK RICH<\/a>","pubdate":"July 16, 2010","passkey":null};function getShareURL() { return encodeURIComponent(articleToolsShareData.url);}function getShareHeadline() { return encodeURIComponent(articleToolsShareData.headline);}function getShareDescription() { return encodeURIComponent(articleToolsShareData.description);}function getShareKeywords() { return encodeURIComponent(articleToolsShareData.keywords);}function getShareSection() { return encodeURIComponent(articleToolsShareData.section);}function getShareSubSection() { return encodeURIComponent(articleToolsShareData.sub_section);}function getShareSectionDisplay() { return encodeURIComponent(articleToolsShareData.section_display);}function getShareSubSectionDisplay() { return encodeURIComponent(articleToolsShareData.sub_section_display);}function getShareByline() { return encodeURIComponent(articleToolsShareData.byline);}function getSharePubdate() { return encodeURIComponent(articleToolsShareData.pubdate);}function getSharePasskey() { return encodeURIComponent(articleToolsShareData.passkey);}</SCRIPT>
<NYT_TEXT><NYT_CORRECTION_TOP></NYT_CORRECTION_TOP>FOR Fourth of July weekend fireworks, even Macy’s couldn’t top the spittle-spangled eruptions of Mel Gibson. The clandestine recordings (https://www.radaronline.com/exclusives/2010/07/world-exclusive-mel-gibsons-racist-rant-caught-tape-tells-oksana-she-would-get) of his serial audio assaults (https://www.nydailynews.com/entertainment/movies/2010/07/16/2010-07-16_mel_gibsons_career_comeback_appears_unlikely_as_leaked_tapes_continue_to_increas.html) on his gal pal were instant Web and cable-TV sensations — at once a worthy rival to Hollywood’s official holiday releases and a compelling sequel to his fabled anti- Semitic rant of 2006. A true showman, Gibson offered vitriol for nearly all tastes, aiming his profane fusillade at women, blacks and Latinos alike. The invective was tied together by a domestic violence subplot worthy of “Lethal Weapon.” There was even a surprise comic coda, courtesy of Whoopi Goldberg, who, alone among Gibson’s showbiz peers, used her television platform on “The View” to defend (https://latimesblogs.latimes.com/gossip/2010/07/whoopi-goldberg-mel-gibson.html) her buddy’s good character ...
(Snip. Click on the hyperlink in the headline for this article, to go to the rest.)